"Oh, I'm ready!"
This episode, fact fans, is based on a Grimm tale called The Old Woman in the Wood. But, far more importantly, it has a lot of arc stuff happening.
We meet a rather patriarchal family of sort of wolf people (Coyotls), and a young woman within this family who is to be subjected to some sort of ominous-sounding ceremony by her male relatives, which proves to consist of, essentially, torture. There are all sorts of feminist subtexts here. the whole thing soon becomes a meditation on domestic abuse as Nick and Juliet, conveniently holidaying in the cabin next door, become suspicious. Nick and Hank eventually free her. Blah blah blah. All this is just background.
The main thing about this episode, of course, is the fact that Hank finds out about Nick being a Grimm, takes it in his stride, is incredibly cool, and is overjoyed to be involved in such cool stuff. He was already far more charismatic, likeable and better acted a character than Nick; I suspect that now this is going to be even more true.
Juliet still remembers nothing and, just as he is now able to be open and honest with Hank, he is hiding things from Juliet again.They've lived together for eight years. This is both frustrating and tragic; Nick ends the episode by sleeping on the sofa. There are more lies, by omission at least, as Nick and our villainous Captain speak of Adelind, neither of them revealing a thing to each other. But the episode ends with a marked contrast between what is happening in his relationships with, arguably, the two most important people in his life...
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