Sunday 30 October 2011

Firefly: Shindig



“You think you’re better than other people.”

“Just the ones I’m better than.”

Our first episode written by Jane Espenson begins in a way that’s already starting to become familiar; a moving camera shows Mal and co in a dimly lit bar which is offset by some bright colours, and it all very quickly kicks off. Is this going to become a Firefly trope? Still, we get a bit more backstory as it’s established that a slave trade exists in this society. Naturally, Mal has no compunction about robbing such people…

The gang are making a lot of enemies on Persephone, and could really do with leaving. Their next destination (whose name I didn’t catch) seems a much classier place, superficially at least. Inara arranges to meet a regular client, a posh bloke called Atherton Wing, while Kaylee gets all excited about a posh frock that she sees in a window. There’s more than a bit of Eliza Doolittle about Kaylee- she’s a bit common, yes, but so are many of us, and she’s a lot lovelier than a lot of her “betters”. Mal’s nasty comments here don’t go down well at all.

Time for some plot, then. Badger is back, and wants Mal to work as his agent in doing a bit of smuggling for another posh bloke called Warwick Harrow. Nathan Fillion is great here, as is Mark Sheppard. Of course, now that we’ve met the deeply sinister Niska, Badger is suddenly a lot less scary and has become more of a fun character.

All this means finding Harrow at some posh do. That means Mal needs a lady to go with him, and Kaylee gets to wear her posh frock after all. And, who’d have thunk it, it’s the same party as Inara and her post client. I don’t like this Atherton much; he wants Inara to be his “personal companion” and she’s mulling it over. This feels uncomfortably close to The Crimson Petal and the White, which I read quite recently, and makes me like this rather arrogant Atherton fellow even less.

I love the cut straight from Jayne’s “So, we gonna play cards or screw around?” to a rather lovely scene of Zoe and Wash being all post-coital!

It’s not nice to see Kaylee being bullied by a load of posh girls (who, it’s implied, own slaves), but she’s soon rescued by a nice man who can’t stand “useless people”. Yay! Soon she’s in her element, talking machinery with a bunch of friendly men. It’s an interesting example of set and costume design, this ball; it’s all very Regency, like something out of a Jane Austen adaptation. There’s a certain Chinese aesthetic, too, but then that was true of the Regency itself.

But things don’t stay nice forever. Mal runs into Inara and her wanker client, one thing leads to another and Mal, showing his usual diplomatic skills, hits Atherton in the face for the way he speaks about Inara. Unfortunately, this is a place where the social mores of Regency aristocracy apply. Mal has just accidentally challenged Atherton to a duel. With swords. About which he knows nothing. Oh dear.

This leads to an interesting conversation between Mal and Inara during the night, as she desperately tries to teach him some rudimentary swordfighting. He’s a man of honour; he faces seemingly certain death, but he won’t run. We’re only four episodes in, but I really, really like Mal.

Meanwhile, aboard Serenity, Summer Glau gives us her cockney accent. It’s, er, a nice try, and only lapses into something approaching Australian about 50% of the time…! We get a bit of background here, too. It seems that Badger, and presumably at the other cockney geezers, hail from somewhere called “Dayton Colony”. It’s a nice touch, this.

It’s morning, and time for the duel. This sequence is even more Regency than the rest of the episode, if such a thing is possible. Mal’s improbable victory is a little contrived, perhaps, but it’s great that he gets to humiliate Atherton by not killing him. Plus, Inara’s blacklisted him, so he’ll have to rely on his charms to get any sex in future!

Even better, Harrow is impressed and agrees s to the deal. Serenity is duly loaded with cargo, and it’s cows. What else? That’s the great thing about this sci-fi Western, a spacefaring future with horses and cows!

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